莫里康内爱好者
Morricone Fans
新版主页
English
年表
音乐概览
电影概览
VIP 申请
VIP 登录
电影欣赏
作品研究
琴谱
字幕
音乐大师
手机网站
付款
旧版主页
Old-Eng
站长手记
手册征订
个人专栏
最新网页
重要通告
资源库
资源传送
歌词
莫迷网联
俱乐部
微信平台
关于我们
手机论坛
旧版博客
EM简介
EM新闻
琴友专栏
名曲120
网站地图
邮探名人
出生入死
邮币卡转让
音乐顾问
软件介绍
E.M.手册
站长信箱
-----------------------
   
---------------------------
 
主页-->VIP-->vip-personal-000-->004-11
马涌专栏-11
联系邮件请发 1145983425@qq.com
《通信》
La Corrispondenza (Giuseppe Tornatore) (TB1503)
 
译者说明: 大师的新作《通信》(朱塞佩托纳多雷导演)原声音乐专辑已经发行,我翻译了詹姆斯绍索尔的音乐评论文章。现已翻译出来,以飨同好,请指正。
 
《通信》
 
作者 詹姆斯 绍索尔   中译文 马涌
原文出自:http://www.movie-wave.net/correspondence/
评论版权所有(c),詹姆斯·绍索尔,2016年2月18日
欧嘉·柯瑞兰寇与杰瑞米·艾恩斯主演,朱塞佩·托纳多雷导演的《通信》,着眼于一个天体物理学学生(她利用业余时间扮演一名特技演员)与她的教授之间的关系。这种通常的远距离恋情经由各种技术手段推进,不过它并没有真正抓住意大利评论家的想象力(到目前为止,意大利是发行这部电影的唯一国家)并获得大致中等水平的评价,在某种程度上还不如这位导演的上一部电影《最佳出价》。

随同托纳多雷到来的自然是埃尼奥·莫里康内,这是他们共同合作的第十一部电影(这还不包括各种电视节目和商业广告)。当一位87岁高龄的作曲家表示他仍然希望寻求新的突破并且表达不同的东西,你会眉尖上扬。真是难以置信,对于这个配乐,他其实已经做了一些真正的有别于之前我从他身上听说的东西,其侧重于非常零落的创意,采用了电声音乐和十分突出的电吉他与布拉格交响乐团来共同实施音乐。(事实上,他之前的托纳多雷配乐特征也有一些新的变化;对莫里康内而言,这位导演显然是一位值得珍视的合作者,这促使他继续成为一位作曲大师。) 话说回来-尽管这是新的配乐,不过在过去十年里这位作曲家的众多努力成果并不具备直接的吸引力,而这些"更加安全的"往往是更为明显的具有吸引力的以及动人的音乐。

这张专辑开启于梦幻般的湖边小屋,钢琴独奏(由莫里康内的例行钢琴家吉尔达·布妲精彩出场)占据了主导地位。钢琴独奏交织环绕着,以一种蓄意的轻微的情绪断开,弦乐在它的背后上升下降。正如这位作曲家经常做的,旋律并没有真正相随,不过它的确是一支漂亮的曲子。第二个线索是13分钟长的繁星,千亿颗繁星,它让人冥想到浩瀚宇宙之类的东西,一个非常简单的小小的轮廓一再重复出现,首先是钢琴,然后是合成乐器,同时加入一个平静的电吉他-我觉得很舒缓,不过我认为在这支曲目结束之前,听者可能会忍不住跳过这个漫长的音轨,它是如此简单的构思、如此频繁的反复。 带有更多摇滚感觉的G调即兴演奏,或许有平克·佛洛伊德的暗示,吉他与合成音色与打击乐器-它的确是莫里康内的全新领域,说实话,我没想到这是他所做的音乐,我真的不得而知。特技表演更为熟悉-紧张的弦乐回荡,吉他的确出现,不过此时它仅仅起到支撑作用,然后是由弦乐引领的一次动作爆发,不过电声音乐起到了不小的作用。最后,还有莫里康内标志性的暗示,浪漫的酒店的两个房间以笼统的弦乐完成,非常出色,不过(讽刺的是)可能在前面运用得太过频繁,至少,这种相同风格的例子,这位作曲家的准则为它留下了深刻的印象。

专辑标题的通信似乎有电子音乐的成分,在浪潮再度回落之前,最终让位于一个漂亮的钢琴独奏;我认为它是一个亮点线索。钢琴还主宰了(事实上,钢琴是这支曲子唯一的乐器特征)故事中的故事,这一次模仿了古典浪漫模式,全然不同于这位作曲家的精彩之作《双面小提琴》(只是相比之下更为低调)。吉他(与钢琴)再次回到美妙的一颗星辰的回归,它是这部配乐里最浪漫的时刻之一,这或许是因为一种陌生的器乐设置,不过一个熟悉的旋律席卷而来。之后是一支非常零落的曲子,无限空间,旋律碎片如波光粼粼般的巧妙地忽隐忽现;如同这部配乐的某些其他方面,这个理念是极妙的,执行完美,但不知为什么,在理论上它最终不如通过扬声器听上去一样出色。

那个旋律碎片随后完整出现并通过动人的星光黯淡展开,一个6分钟长的线索绝对是这张专辑的亮点:它是一支微风习习的浪漫的曲子,钢琴和吉他携手小提琴独奏与管弦乐队演绎了美妙的风格。抽象的比喻返回到梦幻般的场景,钢琴与弦乐双方相互漂浮环绕;接下来的模子包含了另一支华丽的小提琴独奏。从快速竞赛中可以看出配乐采取了一个罕见的创作思路,返回到一个更加悬念的风格,一个非常简约的低音吉他身影加入了一些紧张的弦乐。在可爱的狗里,配乐再度变得十分疏落,钢琴在一个引人入胜的电子音景中翩翩起舞;随后的短暂发明中,钢琴再次呈现出一种古典的声音。这张专辑以绝望的吉他收场,当中的吉他其实并没有特别绝望可言,反而醇厚柔美。 《通信》中有一些美妙的音乐和小小的悬念素材,然而它不是一个宏大的具有根本性旋律的配乐,其中占主导地位的是埃尼奥·莫里康内的后现代音乐。相反,他非常慎重地创建了某种氛围-爱的音符在一个更加宽泛的音乐作品中飞来飞去忽隐忽现,古典的效应与更为现代的风格完美对接。它是巧妙的音乐与戏剧性的旅程,它所需要的是辉煌,不过正如我所说的,它没有成为一张有影响力的和令人满意的专辑,或许是因为各个组成部分的品质可以单独暗示。这是很棒的感受,这位资深的作曲家还在做一些不同寻常的东西,坦率地说,在这一阶段他创作的任何新的音乐的确非常受欢迎,所以它是一种给定,他的众多粉丝会从中体验到很多享受;不过我猜想从2015年起,如同他的两部配乐(指《五月,做你想做的》和《八恶人》),很多人不会入手太多的已推出的这张专辑。

专辑曲目(CD Warner Music 0825646485338 - Italy - 2016)1

1/1 7:16 La casa sul lago 湖边小屋

1/2 13:27 Una stella, milliardi di stelle 繁星,千亿颗繁星

1/3 4:17 Improvvisazione in sol G调即兴演奏

1/4 2:26 Stuntgirl 特技表演

1/5 3:05 Due camere in hotel 酒店的两个房间

1/6 2:28 La corrispondenza 通信

1/7 5:15 Una storia nella storia 故事中的故事

1/8 1:29 Il ritorno di una stella 一颗星辰的回归

1/9 3:35 L'infinito spazio 无限空间

1/10 6:04 Una luce spenta 星光黯淡

1/11 2:11 Parabola astratta 抽象的比喻

1/12 2:33 Calco 模子

1/13 2:27 Veloce corsa 快速竞赛

1/14 1:56 Il cane simpatico 可爱的狗

1/15 1:20 Invenzione breve 短暂发明

1/16 5:34 Disperata chitarra 绝望的吉他


1.参见 http://www.chimai.com/index.cfm?module=MUS&mode=ALB&id=5426http://music.163.com/#/album?id=3443627
2.《通信》(意大利语:La corrispondenza,英语:The Correspondence)是一部意大利浪漫剧情片,2016年1月14日发布。译者未看过这部电影,仅提前欣赏了配乐,拙译不当之处敬请指正。更多消息请参见 https://it.wikipedia.org/wiki/La_corrispondenza
*******************************************************
By James Southall Thursday February 18, 2016

Composed by Ennio Morricone
Warner Music / 2016 / 65m
Starring Olga Kurylenko and Jeremy Irons, Giuseppe Tornatore’s Correspondence looks at the relationship between an astrophysics student (who spends her spare time as a stunt performer) and her professor. This frequently long-distance relationship is facilitated through various technological means, but hasn’t really captured the imaginations of the Italian critics (the only country where the film’s been released so far) with generally middling-at-best reviews some way short of those for the director’s previous movie The Best Offer.

With Tornatore comes of course Ennio Morricone, this being their eleventh movie together (not counting various tv shows and commercials). Eyebrows might be raised when an 87-year-old composer says he still wants to find new things to do and different things to say but unbelievably, he actually has done something genuinely unlike anything I’ve heard from him before for this score, which focuses on very sparse ideas and executes them with electronics and very prominent electric guitar alongside the Prague orchestra. (Indeed, aspects of his previous Tornatore score were also new for him; the director is clearly a treasured collaborator for Morricone and inspires him to continue to grow as a composer.) Having said that – while it’s new, the score does not have the immediate appeal of many of the composer’s efforts of the last decade or so, which in being “safer” have tended to be more obviously attractive and moving.

It opens with the dreamlike “La casa sul lago”, piano solo (played beautifully by Morricone’s regular pianist Gilda Buttà) the dominant force. It weaves around, with a deliberate slight emotional disconnect, the strings rising and falling behind it. The melody doesn’t really stick like the composer’s so often do, but it’s certainly a nice piece. The second cue is the 13-minute “Una stella, miliardi di stelle” which plays like a meditation on the vastness of the universe or something, a very simple little figure repeated again and again, first for piano then synth, all the while with a calming electric guitar – I find it soothing, but am aware that others might be tempted to skip forward long before the track ends, so simple is the idea and so often is it repeated.

There’s more of a rock feel to “Improvvisazione in sol”, hint of Pink Floyd perhaps, guitar and synth pads and percussion – it really is new territory for Morricone and honestly I’d never have thought it was by him had I not known. “Stuntgirl” is more familiar – tense strings swirling, the guitar does appear but only in a supporting role this time, then there’s an explosion of action led by the strings but with no small part for electronics. Finally there’s a hint of the trademark Morricone romance in “Due camere in hotel”, complete with sweeping strings, and it’s very beautiful but (ironically) there are probably just too many previous, better, examples of the same style in the composer’s canon for it to leave too great an impression.

The titular “La corrispondenza” sees textural electronics eventually give way to a beautiful piano solo before the tide turns back again; I think it’s one of the highlight cues. Piano also dominates (in fact, is the only instrument featured in) “Una storia nella storia”, this time in pastiche classical romantic mode not completely unlike (but much more low-key than) the composer’s wonderful Canone Inverso. The guitar returns (with the piano) in the beautiful “Il ritorno di una stella”, one of the score’s most romantic moments, an unfamiliar instrumental setting perhaps but a familiar melodic sweep. Then there’s a much sparser piece, “L’infinito spazio”, shreds of a melody seemingly shimmering in and out cleverly; as with some other aspects of the score, the idea is excellent, the execution perfect, but somehow it doesn’t end up sounding as good through the speakers as it does on paper.

That melodic fragment then appears in full and is developed through the gorgeous “Una luce spenta”, a six-minute cue that is absolutely the highlight of the album: it’s a breezy piece of romance, with the piano and guitar joining forces with a solo violin and the string orchestra in beautiful style. “Parabola astratta” goes back to the dreamlike style, piano and strings both seemingly floating around each other; then in “Calco” comes another gorgeous violin solo. “Veloce corsa” sees the score take a rare return to a more suspenseful style, a very simple descending guitar figure joining some tense strings. In “Il cano simpatico” the score becomes very sparse once more, a piano dancing over a compelling electronic soundscape; then the piano once again takes on a classical sound in “Invenzione breve”. The album closes with “Disperata chittara”, in which the guitar is actually not particularly desperate at all, but rather mellow and relaxing.

There’s some beautiful music in Correspondence and little in the way of suspense material, but this isn’t a score of the big sweeping melodies which dominate Ennio Morricone’s latter-day music. Instead he has very carefully created a certain atmosphere – notes of love flitting in and out of a much wider piece which navigates seamlessly from classical influences up to much more modern stylings. It’s clever music and the dramatic journey it takes is brilliant but as I said, it doesn’t make such a strong and satisfying album as perhaps the quality of the individual components might suggest. It is great to hear the veteran composer still doing something different, and frankly any new music from him at this stage is very welcome indeed, so it’s a given that his many fans will find much to enjoy in it; but I imagine many won’t get as many plays out of the album as his two scores from 2015.

志愿者 马涌(Chi Mai)
志愿者 马涌(Chi Mai)
报名日期 2011.11.30
所在地及职业 云南 职员
个人简介 年近不惑,云南楚雄人。毕业于昆明工学院,工科出身,一直从事财务工作。平日喜好看书、看电影、听音乐、练书法。崇拜莫翁,爱好意大利西部片和赛尔乔·莱昂内、黑泽明、小津安二郎等大师的作品。
作业记录
1.《特多 莫多》电影字幕 130412
2.《美國往事》經典臺詞翻譯 131108
3.《黄昏双镖客》 海报艺术 131119
4. 公共领域 140318
5. 莫里康内的04慕尼黑音乐会,08威尼斯音乐会中文字幕140531
6. 近20年莫里康内音乐会清单 140630
7. 埃尼奥·莫里康内的音乐 :一个音乐的乌托邦?140724
8.《西部往事》主题曲回顾 150101 (原创
9. 伟大的沉默:原声大碟发布 150112
10. 好教皇,教皇约翰二十三世 150224
11. 卡罗,一个成为教皇的人 150225
12. 卡罗,教皇其人 150301
13. 趴下,你这傻冒儿 150317
14. 一大把炸药:艺术品 150415
15. 封面专题:八恶人 151010
16. 五月,迷人的花儿 151116
17. 封面专题:五月,迷人的花儿 151116
18. 五月,迷人的花儿 -- 莫里康内与法国:爱情故事仍在延续 151116
19. 埃尼奥·莫里康内十大电影配乐
20. 火星任务 151231
21. 八恶人 160106
22. 纳瓦霍乔:一向无所畏惧 160115
23. 左轮手枪 160129
24. 《通信》160223
感谢马涌朋友的持续努力和不懈支持!
敬祝各位朋友2016健康快乐,再谱新篇
 
 
2016.02.26
 
 
主站的的重要栏目和网页
2009年编制的老年表
电影赏析
音乐赏析
莫里康内爱好者联谊会(莫迷网联)专栏
杨大林先生,杨东女士专拦
著名歌唱家演唱的莫里康内乐曲
著名艺术家演奏的莫里康内乐曲
邮探世界名人
意大利电影研究专拦
关于"Chi Mai"
莫里康内欧美亚六场音乐会对比研究
网友提供的莫里康内作品
边说边听边看--专题
网友个人专栏
WAP手机网站
莫里康内MIDI铃声
软件介绍
求谱网友交流
全球莫里康内相关网站
海外优秀搜索引擎
BBC-HVF 访谈莫里康
莫里康内上海音乐会
莫里康内北京音乐会
我喜爱莫里康内
莫里康内新闻(中国)
全国及境外TV节目预报
奥斯卡和莫里康内
遭遇黑客
西巴女王
十三年后再访伊莫拉
"海上钢琴师"琴友天地
"阿隆桑方"研究
"工人阶级上天堂"研究
"死刑台的旋律"研究
我最喜爱的西洋杰出音乐回顾
"索多玛的120天"评述
电影"我的青春/梅泰罗"探析
"大师和玛格丽特"研究
孩子们的作品
不得不看(新闻拾零)
电影"豺狼的日子"专页
八十年代歌曲回顾
电影"德黑兰-43"音乐专页
苏俄爱国歌曲
网站地图
Add to Google
eXTReMe Tracker
关于我们
信息产业部备案序号(2014): 苏ICP备11039856号 本站自2003.8.8.开始运行 © 2003 hwg 版权所有
除非有版权所有人的允许,本站所有曲目均仅供访问者个人欣赏使用,严禁用于复制生产,出租销售等任何其它商业目的。