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比利时-法国电子杂志"Maestro (音乐大师)”在中国专栏
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8-2 封面专题:八恶人
Cover Story: The Hateful Eight
 
—————NEWS—————

by Didier Thunus (except where noted)

Cover Story: The Hateful Eight


Most of us were waiting for Quentin Tarantino’s new movie merely to hear which Morricone pieces would be included this time. I don’t think any of us dared hope that Ennio would agree to write an original score for The Hateful Eight. Yes, Tarantino had asked him last year to do it, but he does that all the time. There was no chance that the Maestro would accept. Not because of the alleged clash between the two men a couple of years ago – we had seen (in Maestro #2) that this was all just newscasters’ noise built on banal words – but because Ennio doesn’t do those things anymore. His last American movie was Mission to Mars in 2000; his last western was Occhio alla penna in 1980; he is 86, he needs no new challenges.

But the American director had a plan. And it worked. Let’s review the events chronologically:

June 11th, 2015: Quentin has been invited to the David de
Donatello awards ceremony in Rome. He decides to arrive the day before so that he can visit Ennio at his home.We will only later be able to reconstruct what was said during that meeting. June 12th, 2015: Ennio hands over the honorary award to Tarantino during the ceremony3. The host asks him naively when he would work with Tarantino again, and Ennio says that… he has accepted the day before to score The Hateful Eight!

July 11th, 2015: It takes some time for the news to cross the Atlantic. Quentin participates to the ComicCon in San Diego, California, and makes it a big announcement: the great Ennio Morricone (he still says “Eeeno Morriconee”) will write an original score for his movie4. The crowd is euphoric. Amongst the many things that were said during the conference, to which a big part of the cast also took part, this is really the one that will hit the newsreels.

Quentin says it will be Ennio’s first western score in 40 years – forgetting about Occhio alla penna just to make it sound better (Ennio’s previous western was Un genio, due compari, un pollo, 1975).

July 18th, 2015: the score is written already! The two men are in Prague to record it with the Czech National Symphony Orchestra. Surprisingly, it seems that Ennio is not conducting the orchestra himself5 – but what was shown was maybe merely warm-ups with an in-house conductor.

We can now speculate about what were the arguments of Quentin during the meeting of June 11th. Rumour has it that he literally implored Ennio with a disarming enthusiasm. We know Quentin can do that. And since Ennio had criticized him for putting the music in his movies without coherence, the director

might have told him: ok, show me what to do then, here’s your chance – not just words: action! It is easy to understand why Quentin wanted an original score
this time, instead of including pre-existing pieces as he always does: he is making The Hateful Eight using old technology and wants it to be shown in theatres equipped for such performance.

For coherence sake, he has to treat the music the same way, and work with a “real” composer like all the directors of the Silver Age were doing. And who better than our Maestro can characterize that era? Money must not have been a problem either: the Weinstein brothers (Crossing the Line,Malena, Nine) knew beforehand what were Ennio’s usual demands in this domain, so Quentin must have known what a decent proposal should sound like.

The movie is about a group of people seeking refuge in a tavern because of bad weather conditions. The cast is impressive: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Tim Roth, Michael Madsen, Bruce Dern… Its setting has reminiscences of Il grande Silenzio, obviously, but also of The Thing, especially when Kurt Russell says “One of them fellas is not what he says he is”. The title refers to those 8 people of course, but also hints at the fact that it is Tarantino’s 8th movie – which is true only if you count the 2 volumes of Kill Bill as one movie. It is due for the Christmas period, in 70mm only in selected cinemas first, then worldwide using classical/modern equipment. The official trailer6 has no Morricone music, but this is not an unusual thing with American movie trailers.

The speed at which Ennio wrote the score reminds us of his pace from the good old days. Between 1967 and 1972 – arguably his best period –, he was even writing 2 scores in such a short amount of time. We could fear however that, since he was not enthusiastic from the start, he wrote most of the score in auto-pilot. But on the other hand, Quentin is a perfectionist and would not settle for lower quality. Probably, the director already told the composer on June 11th the amount of music that was required and the type of pieces. He most likely gave him examples of

mood and colours from Ennio’s own repertoire – the pieces he would have used had Ennio refused to do the score. And probably, Ennio had a couple of themes to propose to him already, from his large collection of still unused cues. This all must have significantly speeded up the whole process. They most likely didn’t work together on the movie, since it was still being edited. So it will be up to Quentin and his editors to insert the pieces in the right places, and to cut them as required – not an unusual thing with Ennio’s scores, especially since the 2000’s.
No distrust, this is fantastic news.We can be sure that these 2 men are in the process of making history.
 

Note:

3 https://www.youtube.com/watch?v=3iXLuQxw8Mc
4 See after 28:00 here: https://www.youtube.com/watch?v=DgwtHOwcpLc
5 http://www.ceskatelevize.cz/ct24/nejnovejsi-videa/317731-tarantino-morricone-western-snih-praha/ after 41:00
6 https://www.youtube.com/watch?v=69UwVX6Riv8.
It has music by Blackroc and by The Heavy, see http://nameofthesong.blogspot.be/2015/08/the-hateful-eightteaser-trailer-songs.

The Maestro issue #8 >>>>>>
 
 
8-2 封面专题:八恶人
作者 迪迪埃 图诺斯     中译文 由志愿者 马涌

我们大多数人都在等待昆汀·塔伦蒂诺的新片,只不过听说这一次莫里康内的作品将被包含在内。我并不认为我们任何人会寄希望于埃尼奥同意为《八恶人》谱写原声音乐。不错,塔伦蒂诺去年曾请求他为影片配乐,不过他始终没有认可这一点。那大师就没有可能接受这一邀请。

倒不是因为几年之前两人之间所谓的冲突-我们已经看到(《音乐大师》第2期)这一切都只是新闻主持人基于乏味消息的谣传-只不过埃尼奥不再做这些事儿了。他最近一次的美国电影配乐是2000年的《火星任务》;他最近一次的西部片配乐是1980年的《哥们儿,我们去西部》;他已经86岁了,他需要的不是新的挑战。

然而这位美国导演有一个计划。与这活儿有关。

让我们按时间顺序回顾一下这些事件:

2015年6月11日:昆汀应邀在罗马举行大卫奖颁奖典礼。昆汀决定头一天抵达,这样他可以在埃尼奥的家里拜访他。我们只能稍后重现这次会面说了些什么。

2015年6月12日:在颁奖典礼上埃尼奥亲手将荣誉奖颁发给塔伦蒂诺3。主持人天真地问埃尼奥,他将在什么时候与塔伦蒂诺再次合作,埃尼奥说…他在头一天已经接受邀请为《八恶人》配乐!

2015年7月11日:有关这一消息需要一些时间横渡大西洋。昆汀出席了加利福尼亚圣迭戈动漫展,并使其成为一个大公告:伟大的莫里康内(他仍然将"Ennio Morricone"说成"Eeeno Morriconee")将为他的电影谱写原声音乐4。众人都沸腾了。当中有很多事情,据说在动漫展期间《八恶人》剧组作为一个重要组成部分也参与了,这可真是一个轰动的新闻短片。昆汀称这将是40年来埃尼奥的第一部西部片配乐-忘掉《哥们儿,我们去西部》只是为了让《八恶人》配乐听起来更棒(埃尼奥稍早的西部片配乐是1975年的《一个天才,两个朋友和一个白痴》)。

2015年7月18日:配乐已经谱写!他们俩人正在布拉格与捷克国家交响乐团录制配乐。

出人意料的是,似乎埃尼奥并没有亲自指挥交响乐团5-不过这被证明很可能只是交响乐团内部一个指挥的热身活动。

现在我们可以推测一下6月11日俩人会面时哪些才是昆汀的论点。有传言说,他简直是以一种缴械般的热情来恳求埃尼奥。我们知道昆汀可以做到这一点。而且,因为埃尼奥曾批评他没有相干性地把自己的音乐放在他的电影里,这位导演可能会告诉他:好吧,告诉我该怎么做,现在你的机会来了-不是说说而已:快行动吧!这很容易理解为什么昆汀此时想要一个真正的原创配乐,而不是囊括之前就存在的音乐,因为他一向如此:他正在采用古老的技术(译者注1)来导演《八恶人》,并且期望它具备如此的性能在影院中展示出来。像白银时代所有导演所做的一样与一位"真正的"作曲家合作,为了相干性的缘故,他会以同样的方式来处理音乐。又有谁比我们的大师能更好地描述那个时代呢?或许金钱一定不会成为一个问题:在这一领域韦恩斯坦兄弟(《过界》,《玛莲娜》,《九》)事先就知道什么才是埃尼奥的一贯要求(译者注2)。因此昆汀想必知道一个体面的提案听上去才会妥当。

这部电影讲述了一群人因为恶劣天气在一家小店里寻求避难。演员阵容令人印象深刻:塞缪尔·杰克逊,库尔特·拉塞尔,詹妮弗·杰森·莉,蒂姆·罗斯,迈克尔·马德森,布鲁斯·邓恩…这部电影设定了对《伟大的沉默》的追忆,很显然,还有《怪形》,尤其是在库尔特·拉塞尔说:"他们中的一个家伙并不是他说了算"的时候。无疑影片标题是指那8个人,但也暗示了一个事实,即它是塔伦蒂诺的第8部电影-这是事实,仅将《杀死比尔》1、2卷看成一部电影。这是因为在圣诞节期间(2015年12月25日)70毫米胶片格式只在选定的影院首先上映,然后在全球使用传统/现代设备放映。官方预告片6并没有莫里康内的音乐,不过相对于美国的电影预告片来说,这并不是一个不寻常之处。

回顾往昔美好时光,埃尼奥谱写配乐的速度让我们想起了他的步伐。1967年至1972年期间-无疑是他的巅峰时期-在这样短暂的时间内他甚至谱写了2部配乐(译者注3)。然而,我们可能担心,因为从一开始他并不太热心,他自然而然地谱写了大部分乐谱。在另一方面,昆汀是一个完美主义者,他不会满足于低劣的质量。也许,6月11日这位导演已经告诉过这位作曲家所需要的音乐的数量以及作品的类型。他很有可能从埃尼奥已有曲目中给出了情绪和色彩的示例-他曾使用过埃尼奥拒绝做的配乐的曲子。而且很可能,埃尼奥从他大量的仍未使用的线索中,已经推荐了几个主题给他。所有这一切无疑显著地加快了整个进程。他们很可能没有在电影中一起合作过,因为电影仍在剪辑当中。因此,它将取决于昆汀和他的剪辑师在适当的地方插入配乐,并根据需要录制它们-尤其是自2000年以来,埃尼奥的配乐不存在不同寻常的事儿。

无须怀疑,这是个好消息。我们可以肯定的是这两个男人正在创造历史的进程。

 
3 https://www.youtube.com/watch?v=3iXLuQxw8Mc
4 See after 28:00 here: https://www.youtube.com/watch?v=DgwtHOwcpLc
5 http://www.ceskatelevize.cz/ct24/nejnovejsi-videa/317731-tarantino-morricone-western-snih-praha/ after 41:00
6 https://www.youtube.com/watch?v=69UwVX6Riv8.It has music by Blackroc and by The Heavy, see http://nameofthesong.blogspot.be/2015/08/the-hateful-eightteaser- trailer-songs.html.

译者注:
1.《八恶人》应用潘那维申超70毫米摄影机(Ultra Panavision 70),65毫米胶片拍摄,70毫米胶片放映,画幅宽高比2.76 : 1。
2.韦恩斯坦兄弟,指鲍伯·韦恩斯坦和哈维·韦恩斯坦。韦恩斯坦兄弟先后于1979年、2005年创办米拉麦克斯影业公司(Miramax Films)和韦恩斯坦影业公司(The Weinstein Company)。昆汀的大部分作品均由上述公司制作或发行。
3.此处可能是作者笔误。据www.chimai.com资料,1967年至1972年莫里康内谱写了约140部配乐;据morricone.cn资料,该期间莫里康内谱写了112部配乐。

 
主要译名对照表
外 文 名
中 译 名
注 释
Mission to Mars 火星任务
2000年电影
Occhio alla penna 哥们儿,我们去西部 / 笔和眼睛
1980年电影
Un genio, due compari, un pollo 一个天才,两个朋友和一个白痴
1975年电影
Crossing the Line / The Big Man 过界 / 大人物
1990年电影
Malena 玛莲娜 / 西西里的美丽传说
2000年电影
Nine
2009年电影
Il grande Silenzio 伟大的沉默 / 雪海深仇
1968年电影
The Thing 怪形 / 突变第三型
1982年电影
“音乐大师”第8期总目录 >>>>>>
志愿者 马涌(Chi Mai)
志愿者 马涌(Chi Mai)
报名日期 2011.11.30
所在地及职业 云南 职员
个人简介 年近不惑,云南楚雄人。毕业于昆明工学院,工科出身,一直从事财务工作。平日喜好看书、看电影、听音乐、练书法。崇拜莫翁,爱好意大利西部片和赛尔乔·莱昂内、黑泽明、小津安二郎等大师的作品。
作业记录

1.《特多 莫多》电影字幕 130412
2.《美國往事》經典臺詞翻譯 131108
3.《黄昏双镖客》 海报艺术 131119
4. 公共领域 140318
5. 莫里康内的04慕尼黑音乐会,08威尼斯音乐会中文字幕140531
6. 近20年莫里康内音乐会清单 140630
7. 埃尼奥·莫里康内的音乐 :一个音乐的乌托邦?140724
8.《西部往事》主题曲回顾 150101 (原创
9. 伟大的沉默:原声大碟发布 150112
10. 好教皇,教皇约翰二十三世 150224
11. 卡罗,一个成为教皇的人 150225
12. 卡罗,教皇其人 150301
13. 趴下,你这傻冒儿 150317
14. 一大把炸药:艺术品 150415

15. 封面专题:八恶人 151008

 
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2015.10.10
 
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