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English --> engfpages000 --> engfpages-f1005-5 Same CN
 

engmus-f1005-5 Various Artists -《Morricone Rmx》(2001)

E-mail of Xiaocui : cuiyuan121@163.com

The music uploaded by Xiaocui. Thanks web friend Xiaocui

 

 
A brief about the album
Prolific Italian film-scoring legend Ennio Morricone isn't afraid to use contemporary pop idioms in his work but usually eschews them because they become dated so quickly. That shrewd sensibility helps make this collection of remixes by an international slate of dubsters and electronica artists a bit more interesting--and ironic--than it might otherwise be; after all, what music dates quicker than club remixes? Producer Stefan Rambow (Mondo Morricone, the Canto Morricone series) also notably secured Maestro Morricone's approval for the project, giving it an added cachet. But that official blessing may also account for the set's patchy quality. A few of the efforts seem overly conservative--especially given the genre--and hesitant to tweak The Legend too much. Apollo Four Forty and Terra Nova are satisfied to simply overplay the most clichéd elements (twangy guitars, harmonica, oddball percussion) of Morricone's spaghetti Western canon, while the remainder of the set is surprisingly atmospheric and sedate. The elegant melodies of "Chi Mai" sometimes get lost in Nightmares on Wax's groove lite, while Bigga Bush and DJ Dick produce two nicely contrasting takes (rhythmically edgy and languorously dreamy, respectively) of "Clan of the Sicilians" and Thievery Corporation, Tommy Hools, and Ali N. Askin plumb the often haunting dimensions of Morricone's music. Enthusiasts should welcome these mostly fresh takes on his enduring legacy, even if they ultimately prove Il Maestro was usually one step ahead--or completely outside--of the game. --Jerry McCulley
Album Details

Release date : 22 May 2001
Album Duration : 70:08
Genre: Electronica
Style: Ambient Dub, Ambient House, Ambient Techno, Electro, Electronica, Experimental Ambient, Experimental Dub, Experimental Jungle, Illbient, Jungle/Drum`n`Bass, Progressive Trance, Techno-Dub, Trance, Trip-Hop

The artists
 
 
More 01, 02, 03, 04, 05, 06
 

"Morricone RMX"(2001)

No.
Name
Artists
WMA Listen
001
The Man With The Harmonica Apollo 440 Featuring - Keith Holden
002
For A Few Dollars More Terranova
003
Here's To You Copasetic / Selda / Vivi Mixed By - Mighty K.K. , Peter Funke
004
'BELINDA MAY'
REMIXED BY FANTASTIC PLASTIC MACHINE
PRODUCED BY TOMOYUKI TANAKA
PROGRAMMING BY MASAYUKI KUMAHARA
ADDITIONAL KEYBOARDS BY DAN MIYAKAWA
CINESOUNDZ EDIT & ADDITIONAL PRODUCTION BY ALI N. ASKIN
005
Clan Of The Sicilians Bigga Bush from Rockers HiFi
006
Chi Mai Nightmares On Wax
007
Il Grande Silencio Thievery Corporation
008
Un Bacio Ali N. Askin Vocals - Tia Linke
009
Doricamente Tommy Hools
010
Groove Corporation -Gioioso Groove Corporation
011
La Bambola - Come Maddalena Sofa Surfers
012
La Lucertola De-Phazz Featuring - Jo Kraus
013
Clan Of The Sicilians DJ Dick from Rockers HiFi

 

Honorary Oscar 2006 goes to composer Ennio Morricone

congratulations Morricone most heartily

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)

 

 
 
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