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English --> engfpages000 --> engfpages-f1003
 

engmus-f1003 Morricone's music uploaded by web friend

"Once upon a time in America" and "The legend of 1900"

The Morricone's music uploaded by Peng. Thanks web friend Peng

E-mail of Peng: pengyuhang@httc.net

 

Peng at Zhangjiajie of China in 2003
Peng at Zhangjiajie of China in 2003
A - "Once upon a time in America"
84-01-official
Relative movie
Note
"-official" is in official catalogue
NO.
NAME OF THE MUSIC
WMA
001
Once Upon A Time In America
002
Poverty
003
Deborah's Theme
004
Childhood Memories
005
Amapola
006
Friends
007
Prohibition Dirge
008
Cockeye's Song
009
Amapola Part II
010
Childhood Poverty
011
Photographic Memories
012
Friends
013
Friendship & Love
014
Speakeasy
015
Deborah's Theme - Amapola
016
Suite from Once Upon A Time In America
017
Poverty (temp. version)
018
Unused Theme
019
Unused Theme (version 2)

 

B - The legend of 1900

98-05-official
Relative movie
Note
"-official" is in official catalogue

001
1900's theme
002
The Legend of the Pianist
003
The Crisis
004
The Crave (composed by Jelly Roll Morton)
005
A Goodbye to Friends
006
Study for Three Hands (music by Ennio Morricone and Amedeo Tommasi)
007
Playing Love
008
A Mozart Reincarnated
009
Child
010
1900's Madness #1 (music by Ennio Morricone and Amedeo )
011
Danny's Blues (composed by Amedeo Tommasi)
012
Second Crisis
013
Peacherine Rag(written by Scott Joplin, performed by The Alexander Ragtime Band Ensemble)
014
Nocturne with No Moon
015
Before the End
016
Playing Love
017
I Can and Then
018
1900's Madness #2 (music by Ennio Morricone and Amedeo)
019
Silent Goodbye
020
Ships and Snow
021
Lost Boys Calling(written by Ennio Morricone and Roger Waters, performed by Roger Waters)

 

Below are added 8 music provided by the music consultant Ms. Sherry

022
tarantella in 3rdclass
023
enduring movement
024
police
025
trailer
026
thanks danny(written by Ennio Morricone and C De Natale, performed by James Sampson)
027
magic waltz (composed by Amedeo Tommasi)
028
goodbyeduet
029
portraits
Music composed and conducted by Ennio Morricone. Performed by Accademia Musicale Italiana. Orchestrations by Ennio Morricone. Additional music by Amadeo Tommasi and Jelly Roll Morton. Featured musical soloists Gianni Oddi, Cicci Santucci, Fausto Anzelmo, Gilda Butt?/B> and Amadeo Tommasi. Recorded and mixed by Fabio Venturi. Album produced by Ennio Morricone.(See here and here)

 

eng-fpages-f1003-3, -4 >>>>

 

Honorary Oscar 2006 goes to composer Ennio Morricone

congratulations Morricone most heartily

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)

 

 

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